I began my career in the European luxury industry, where I developed a foundation in craft and storytelling before founding an artist collective in Paris. A self-taught maker, shaped by the visions of Opalka, Rodin, Abramović, Demeulemeester, and Lynch, I built a transdisciplinary practice spanning creative direction, painting, sculpture, and film.
My work first gained recognition at the International Festival of Hyères at Villa Noailles, where it received two awards and led to a carte blanche installation at the Palais Royal commissioned by the French Ministry of Culture and Communication.
My documentary Éloge du Mouvement (2009–2014), created with dancers affected by Huntington’s disease, reframed involuntary movement as choreography and restored the ill body to the public domain. Supported by Hôpital Pitié Salpêtrière and the Paris Brain Institute, the project culminated in a neuroscientific study, a performance in Hiroshima, and a France Télévisions broadcast.
I continue this exploration through Deleted Films, founded under the mentorship of Matthew J. Siegel (Camera Department: The Matrix, Mr. & Mrs.Smith, Identity…). Together, we produced my first fiction shorts: Twisted (2024) and Candyland (2020–2023). Candyland screened at NewFest New York and ASVOFF at Dover Street Market Paris, and became semifinalist at the Blow-Up Arthouse Film Festival. My script Deletion recently advanced to the Second Rounder stage at the Austin Film Festival.
I trained in Luxury Management at l’Institut Français de la Mode and in Art, Design, and the Public Domain at Harvard University. I identify as a mutt without a label, shaped by three acquired national identities: Colombian by birth, French in soul, and American at heart.
